This week I finished reading The Hidden People by Alison Littlewood. It’s one of my favorite books; I loved its rich, creepy setting. I also appreciated that the ending allowed us to wonder if there might have been magic involved after all.
Because Changelings are the subject of this fantastic book, I decided to do a little digging into the topic myself. They have long fascinated me; I even tried to write about a Changeling. The character did not provide much aside from comic relief in the long run, but I remain fond of that story, the first one I took seriously.
If you’ve never heard about Changelings, you’re missing out on a great deal of fun! In many books they cause chaos and tragedy. One thing is for sure: They always bring magic with them.
Here are some characteristics that were once attributed to Changelings.
Is It My Kid?
A Changeling is a fairy child that was put in place of a human infant. Most legends say that it was done because fairies were unable to nourish their own children into strong adults. To compensate, they would give their offspring to unsuspecting humans. In turn, the human babies would be used by Changelings as servants.
Some attributes might give away the identity of a Changeling. The child left in place by the fairies may have red eyes and voracious appetites, losing their tempers if neglected for a moment. Disruptive children were sometimes called Changelings and kept in isolation.
An Aversion To Iron
Superstitious people believed iron could ward off fairies. You might find a pair of scissors hanging at a window to keep out dark spirits. Parents did this hoping that the iron would keep their children safe.
If a family member showed Changeling traits—a strange appetite or delight for destruction—the suspicious parent would crick them into grabbing some iron scissors. Iron would burn a Changeling, revealing their identity at once.
Scissors could also be placed over the door to a house. If the suspected Changeling felt apprehension going through the door, they would have to be removed.
Leave Eggshells About
Many stories claim these odious creatures have a strange reaction to eggshells. One could dispose of a suspected Changeling by leaving eggshells by the hearth. The Changelings found these eggshells hilarious. They would reveal themselves; your intruder will show himself by means of madness and laughter.
The old man told him that most likely the boy had been taken by the “Daoine Sith,” and they had left a “Sibhreach” in his place. Distraught, the father wondered if he’d ever see his son again. The old man instructed him to take several broken eggshells and fill them with water, then place them carefully around the hearth in the boy’s room. He did so, and within no time, the boy was jumping from his bed in a fit of laughter shouting, “I’ve been alive 800 years and have never seen the likes of this!” Hearing that, the father pushed the Changeling into the fire, and it shot up the chimney. The real boy was spit out from the Faerie mound nearby at that very moment, and the father and son were soon after reunited (taken from: J. F. Campbell, Popular Tales of the West Highlands, 1901).
Folklore shows how our ancestors explained strange phenomena and the bizarre ways in which they solved problems. Changelings make for good stories; The Hidden People was a fantastic novel and did the legend great justice!
While we now have more dignified explanations for strange behavior (and we don’t leave eggshells on the floor), it’s fulfilling to know the beliefs of those who came before us.
What is your favorite creature from mythology? I would love to know!
I can’t believe we are halfway through with September! I posted a list of books I was going to read in September, and I’m going to update you that. Some books I have read as planned, others are taking more time, and more crept in because my bibliophile self could not stick to the plan.
Stonehenge: A New Understanding is taking me the longest to read. I can’t quite name why—I bought it because I am interested in Stonehenge and its history, but the way that it is told in this book is slow and rather dry. Perhaps a person who is interested in obscure archaeological details would enjoy it more.
I am still going to finish it one day, but as it is, I’m reading a chapter at a time. I don’t want to speed-read something I don’t like and forget all about it. There is valuable information to be found in this book, but I’ve enjoyed other history books that were far more gripping.
I’ve read half of Dracula. At once upon starting, I remembered why it was my favorite book ten years ago. The book manages to be frightening without the notorious jump-scare that has invaded modern books and movies. You’re able to soak in the mystery. When they are frightened, so are you. I’m thinking that I’ll read the second half of Dracula in October.
As an aside, I’m reading the paper copy I enjoyed as a teenager; holding the pages is a great comfort!
Now, for the books I have finished so far in September:
In The Market For Murder by T. E. Kinsey
Oh, Lady Hardcastle! I think of this series and feel a thrill. Not since Harry Potter have I found a set of characters I am so fond of! In The Market For Murder can be enjoyed as a stand-alone, though I recommend you read the first installment so that you can appreciate why these characters are so great.
Lady Hardcastle and her ladies-maid Flo are not sit-on-your-hands Downton types who avoid trouble (or murder). In book one it is hinted that Lady Hardcastle and Flo were stranded somewhere in Asia where they escaped murderers, a deserted island, and other such atrocities after Lord Hardcastle’s death.
The first book, called A Quiet Life In The Country, is exactly that: Lady Hardcastle’s attempt to be a proper lady and find a quiet life in the country. There is murder in the country as well, disrupting her plans.
Lady Hardcastle and Flo are not damsels in distress. In book one, there is a scene where a drunken man touches Flo inappropriately. She ‘accidentally’ trips on the recently waxed floor and ‘accidentally’ hits him in the groin with her elbow. Then she warns him to be careful or she might ‘accidentally’ hit him again.
Read this series on purpose. You need these heroines in your life.
The Particular Charm Of Miss Jane Austen by Ada Bright & Cass Grafton
What would become of the world if Jane Austen had never written her books? What would a bookstore look like without Pride and Prejudice, in all its different editions, entire shelves? This comedy/romance, the first of a duo of books, insists that life without Mr. Darcy would be tragic.
The character of Jane in this book has the ability to travel in time. She is enjoying the costumes, tributes, and merriment at the annual Jane Austen festival in Bath, one of the cities where she once lived, when the necklace that lets her travel in time is lost.
Following its loss, her work disappears. There is no longer a Jane Austen festival. The main character, Rose Wallace, is frantic that she will never read about Mr. Darcy’s dysfunctional courtship again.
This book is a comedy, so I try not to be cynical that Rose’s first worry is not about Jane Austen being trapped in a century not her own. Instead, she’s going berserk about the fact that Mr. Wickham is no more.
I often wanted to scream at Rose that she was being a selfish entitled little—er, bookworm.
Because of all of these things, the book is hilarious. It’s a great twist on Jane Austen fan fiction, and it’s well worth the read. I won’t soon forget it!
The Hidden People by Alison Littlewood
I have just finished reading The Hidden People today. I might have written this update post because I needed a space to gush. The book is often compared to my other all-time favorite, Jonathan Strange & Mr Norrell, and rightly so. The setting is impeccable; I have literally had a dream in which I was staying at a bleak house exactly like the one described in Littlewood’s book.
It’s the second book that influenced my dream world with its magical setting and description. The first book to do so was Piranesi; I’ll talk about that sometime soon!
Halfoak is a little village in the English countryside where the people swear that Changelings are not only real, but they live in an oddly shaped hill and steal children. When main character Alfie’s cousin Lizzie is killed on suspicion of being a Changeling, he goes to investigate this murder and ensure that she is given a Christian funeral—which few of the superstitious villagers attend.
The magic in this book is that the ending doesn’t steal the wonder. Was it all a result of the villagers’ superstition, or are there really Changelings in Halfoak stealing children and corrupting wives?
It is not a happy ending for Alfie, but I consider it happy that the reader can ask themselves while unable to sleep, Could it be?
The Hidden People is a perfect Halloween read if you need something a bit lighter than Dracula. It’s also good for people who like fairy stories.
All of these books are ‘family friendly,’ though Littlewood’s book is Gothic and that is the magic of it. In The Market For Murder is a cozy mystery; there is a crime committed, but you spend more time laughing at Lady Hardcastle’s antics than dreading pools of blood. Miss Jane Austen is pure fun—if you want a light read, this is it!
Peter Rabbit, the adorable bunny in the blue jacket, is a familiar character to us bookworms. You might have learned of his mishaps when Grandma read them to you; perhaps you got to know him better when reading to your children.
He brings to mind youth and innocence, reminding us of how it felt to be a child willing to think outside of the box. How much do we know about the woman behind the rabbit?
Beatrix Potter wrote many stories aside from The Tale of Peter Rabbit. Not only did she come up with charming animals and their adventures, she also illustrated them. The stories might have deprived her of some things, though. Potter didn’t have a conventional love story, but she had a happy ending.
Have you ever written a story in which someone special made a cameo appearance as a character? Beatrix Potter did this with her bunny, Peter Piper! He was her close friend, traveling everywhere with her. Eventually he became famous as a protagonist in one of the most beloved childrens’ tales.
The first story featuring Peter Rabbit was written in a letter to the son of Potter’s former governess. The young boy was ill. She wanted to make him feel better, but suffered from writer’s block; she did not know what to say.
It is said that she was sitting in the yard with her bunny when composing this letter. Deciding to tell a story instead, she made up the adventure of Peter with his sisters Mopsy, Flopsy, and Cottontail. The rest is history.
She Fell In Love With Her Editor
Beatrix Potter had a tragic first romance. She had taken her stories to a publishing company called Bedford. The company was run by a father and his three sons—Harold, Fruing and Norman.
Norman was the editor. Some have described it as love at first sight: Beatrix, an intelligent woman, admired Norman for his mind. He must have enjoyed meeting a woman he could hold a real conversation with. It was not long before he had proposed to her.
Unfortunately, Norman became ill. Beatrix had gone on holiday with her family when he was diagnosed with leukemia and died. Beatrix did not find out until after her return. He refused to write of it because he did not want to distress her.
One must wonder if Beatrix’s parents were sad—they did not approve of the match.
She Had An Excellent Education
Beatrix Potter had an excellent mind and was able to hold conversations about science, history, and other subjects considered unladylike at the time. Where did she learn about the biology of a bunny? How did she draw such realistic pictures?
She was born into a wealthy family in which both parents were heirs to cotton fortunes (hence their disapproval of her match with Norman). Her father took great interest in painting and photography. He taught his daughter to draw, and they shared a love for art.
Beatrix had access to her father’s library of books, where she was free to learn about science, voyages, historical figures, and other unladylike topics. She later tried to enter the science circles of the time, but they were too superstitious to let a woman into their chambers.
The Science Book
It would be wrong not to elaborate on how gifted Beatrix Potter was on the subject of science. Her understanding of nature was so advanced that she was able to make remarkably detailed illustrations of fungi and insects for the time.
Though Beatrix also drew animals, she focused on wild fungi. She completed a book of illustrations and presented it to the male-dominated science circles. The drawings were outstanding, but she was a woman. She didn’t have much of a chance at becoming a scientist.
Now her images of fungi are lauded by modern science, but in her own time Beatrix Potter gave up that dream and moved on to storytelling. Perhaps we can be grateful for this—if she had become a scientist, Peter Rabbit might never have existed.
Happily Ever After
Beatrix Potter finally found found love at the age of 47. She married a solicitor named William Heelis in 1913, and they moved to the beautiful Lake District. She and William lived a comfortable life in their secluded house, where they grew old together.
Beatrix purchased a farm where she could interact with the animals. Though the Lake District had no shortage of inspiration, it seems that Potter had become tired of writing. When at last she married, she favored a peaceful life exploring the country.
When Beatrix Potter died, her body was cremated. She told a trusted groundskeeper to release her ashes at an unmarked spot in her beloved Lake District. To this day, no one knows the location of her remains. We can still find her in the stories she wrote.
My inspiration for writing about Beatrix Potter hinges largely on my sudden obsession with drawing mice and frogs. I don’t know where I’m going with this hobby; am I simply procrastinating writing? I do enjoy learning new things, and it’s good for the creative to try all sorts of mediums.
Beatrix Potter is one of my inspirations for my nature-based art. I have no illusions of drawing like she did, but Peter Rabbit is alive in all of us. I hope you have a good Friday!
As an added bonus, here’s an excerpt from my lately well-loved sketchbook!
Chanel is one of the most famous names in fashion. We have all seen the classic style of dress; we’ve heard of the famous perfume No. 5. It brings to mind thoughts of elegance and beauty.
How much do you know about the woman behind the name?
Coco Chanel was one of the most powerful women in the world. She worked her way out of a childhood steeped in poverty to create a fashion empire. Though her later life was darkened by controversy as war ravaged Europe, her determination and sense of dignity are things to be admired.
Normally I write blog posts about female authors, but my recent read ofThe Queen of Paris—an excellent, though fictitious, novel by Pamela Binnings Ewen—inspired me to hunt out some facts that will shed some light on this iconic woman.
Coco Was Her Nickname
Though she was known by the world as Coco, the fashion designer was born Gabrielle Bonheur Chanel on August 19, 1883 in Saumur, France. Where did she get the nickname that was to become her identity throughout her life?
One theory is that it was inspired by a song she used to sing as a cabaret singer. Two songs became inseparably associated with her—Ko Ko Ri Ko and Qui qu’a vu Coco. She later said that Coco was a name her father gave her.
Wherever it is that she got the nickname, everybody knows it—this is the name that made her famous!
She Started With Hatmaking
Chanel is best known for her delicious perfume No. 5, but she did not begin her career as a fashion designer with perfume. In 1909 she opened a hat shop in Boulevard Malesherbes in Paris. Her hats were simple and notably lacking the fruits and flowers which had ornamented such accessories for years.
Her name became synonymous with simplicity and convenience. Her hats could match any color and style of dress; she upped her game by designing dresses that did not require corsets. These dresses were even so daring as to show the ankles!
Starting with the dignified, elegant hat, Chanel showed women that it is possible to achieve beauty in simplicity.
Pants For Women!
On the subject of useful fashion, we can’t forget Chanel’s trousers! Though she did not invent the idea of pants for women, she became a pioneer in the style after the first world war.
It started with her design for the hiking trousers that she made in order to get into gondolas in Venice. Soon followed her famous yachting pants which took the world by storm. Women could wear pants for their leisure activities and look as elegant as they would have in a skirt.
Chanel was not happy with unnecessary trifles that society forced into women’s fashion. She did more than make pants popular. She cut her hair into her famous black bob, which scandalized the world, encouraging her so-called ‘garçonne style.’
She Said What She Meant
The word bold describes Chanel in every imaginable way. Not only did she dress as she wished, but she was not afraid of stating her opinions on the competitors and critics who disdained her. This sometimes lost her friends, but never enough for her to sink into obscurity.
She accused Dior of dressing women like armchairs with all of the unneeded fabric that was hemmed onto his dresses. Balenciaga’s designs met her approval, but she did not like his ability to cut. Regarding Paul Poiret’s designs, she said they looked more like costumes than evening wear.
Coco Chanel designed everything in her life, so why would her headstone have been any different?
Her zodiac sign was Leo. She kept that powerful creature present in her designs throughout her life. Lions decorated her cigarette lighters and scissors. Lions were also engraved on the bottoms of her tweed suits. At the end of her life, she designed a headstone decorated with five lions.
Chanel did not have any known children. At her funeral, the front chairs were reserved for her models. She is buried in Lausanne, Switzerland.
Chanel was a woman with a strong personality who changed how the world looked. Her name remains synonymous with elegance and power. She inspired many leading ladies to carve their own ways with determination and creativity.
Next time you go out wearing No. 5 or cut your hair into an elegant bob, remember that these fashions are strong today because of this outspoken and fiery woman!
It’s always so exciting for me when a friend puts out a new book! It was thrilling when I found out that fellow writer and blogger Raina Nightingale had released a book, and I was eager to learn more about it.
I asked her to write a post telling us about her novel Kingdom of Light and what inspired it. It sounds intriguing! I’m happy she agreed to come on as a guest blogger!
About the Book:
A kingdom of darkness where soldiers guard the people against wicked glowstones that attract nightmare monsters and death…
A young girl, terrified of the darkness and drawn to the light. What if the glowstones provide the only protection against the monsters of the dark? What if everything she has ever been told is a lie?
What if the Kingdom of Light is not confined to the afterlife, but can be found even in this world?
With her friends, Louisa discovers that the real world is unlike anything any of them could have ever imagined, and thousands follow…
When I first conceived the initial idea for Kingdom of Light, it came out of the fact that I was thinking about how Jesus is good. He is the maker and giver of all good things, and when we meet Him and follow His call, we receive His best. I was more than a little annoyed by a cycle of reaction and over-reaction that seems to be going on. I’ve no need to name names, and little business doing so since in most cases I know little more than the names, and my knowledge of this cycle is imparted through some associations I had with some evangelism-oriented groups, but there is an unfortunate situation, where someone claims that if one follows Jesus, then that’s the end of material shortages or difficulties of any sort, and if one has anything that appears to be a disability that, too, will be healed, and so forth, and others are at pains to reject this and make a lot of statements like, “God doesn’t care about whether or not you’re happy; He wants you to be holy,” or, “You can choose pleasure and happiness now, and pain and misery forever after, or you can choose pain and misery now, and have happiness and pleasure forever after,” (I’m pretty sure these quotes are not word-for-word).
I’m not going to write a lot of philosophy or talk a lot about theology or dogma here. There’s a place for that, and I could do so (and even have, in other places and at others times), but there’s a place for other things, and dogmatic statements and philosophical discussions have their weaknesses. I’m a firm believer that there are large areas of human nature that have to learn and understand through other means, and that without context – without reaching these areas of our beings – dogmatic statements can sometimes be worse than useless, and that one of these areas of human nature responds strongly to stories. I’m going to write about stories, and a little about why and how I wrote this story.
I have found stories to be an important part of my thought process. I learn what things mean, I discover what I think, and I understand more often than not through stories. Stories unite the concrete and the abstract. In stories, ideas come alive and are put to the test. In stories, concepts and thoughts are made relateable to more than the intellect – and sometimes even to the intellect – and we are more than creatures of pure intellect and logic. To many of us, intellect and logic is not even our first choice of mode of operation, and there is nothing wrong with that: our Lord has made us all unique persons, capable of interfacing with truth and reality, and relating to Him and to each other, differently.
For me, I really know what I think when I can put it into a story, and I often have to put something into a story before I have even the possibility of communicating it elsewhere. Stories point me to other people’s thoughts and ideas in a way that dry, intellectual communication can’t. The images of a story, the fact that it is story, not one moment, but a development, something in motion, sometimes with more focus on characters, sometimes with more focus on symbolic imagery, are all capable of what other modes of communication fail, and its limitation is often its strength.
A story does not make itself out to be dogma. A story can be “truth, so far as it goes,” – far more than metaphor – but it does not make itself out to be, “the full truth, nothing but the truth, succinctly and accurately characterized,” about anything. A story is a journey, a discovery, an exploration, not a “teaching.” A story is personal. A story provides context, meaning, life. A story is flexible, and its limitations and the ways in which it is vaguer and less clear than other things are one with its ability to convey vision and value that can’t be communicated in something less opaque and more clearly defined. There is a saying that “Beauty is in the eye of the beholder,” and to a large degree what is understood by anything – a story, a philosophical essay, a dogmatic statement – is within the eye of the one who sees and the ear of the one who hears.
A story does not bypass that, and it does not pretend that it does – if anything, a story brings that out, and it is easier and more natural for people to know that when they hear a story, what they hear is in part determined by what they are prepared to hear, whether that comes from within their own hearts or from the contexts of their environment. At the same time, a story has an ability to provide depth, to frame and color, to be an environment and context, that these other things do not have. A story has the potential to suggest the value and richness of knowing Jesus, of living in the Light of the World, without falling so readily into the dangers of platitudes which quickly become meaningless and then get tossed to and fro in a storm of reaction and little understanding.
So, I naturally turned to a story to express what I saw, and to hopefully point towards the truth the general discussions I saw were missing and help people to see and articulate what they might really understand, instead of repeating platitudes and doctrinal statements that had become meaningless in their present context. Kingdom of Light was first born with a rather simple image including the setting of the story and the initial journey and discovery of Louisa.
Louisa’s village – and the entire known kingdom – lives in complete darkness, using crude torches for what light they must have, and sleeping and going about their work either in the poor light of the torches or in complete darkness. Everyone is taught that their steadfastness will be rewarded with an eternity in light, but that if anyone keeps one of the rare glow-stones – which provide a brighter and steadier light, without the difficulties of torches and which are to be destroyed upon discovery – will be pursued and chased by monsters and spend eternity in darkness. Louisa is terrified of the darkness, and scared of the torches, and one Warm Time, while doing what gathering she can with her torch, she finds a glow-stone.
That is how Kingdom of Light started. It remained that, but it soon became far more, for how can one write a fantasy about an abstract, generalized ‘experience of goodness’? It will quickly become far more, so Kingdom of Light developed, following the personal journey of Louisa and two others through a variety of mystical experiences wherein they discover the real world – and while they see the same Real World, their experiences of finding, following, and trusting the Light are also very different, even when they are parallel. It soon became very mystical and symbolic, in a similar vein as Phantastes and Lilith by George MacDonald (I don’t know of a genre label for works of that sort, but if I did, I would say that’s the genre of Kingdom of Light).
It was a fascinating experience to write, as usually I have some idea of where a story is going, a sense of the approximate order of the scenes and of how it will end. Kingdom of Light I wrote scene by scene – sometimes even line by line. Beautiful scene by beautiful scene, rich with imagery, every image thick with meaning often deeper than I myself perceived or can say I grasp. The Lady Lily (the lady in pink whom Louisa meets in Ch. 8 “Beautifying Light”) was inspired by a figure in an ancient dream I had as a young child of going to Heaven. Most of the dream is vague and half-forgotten, nothing but a faint lingering sense of the wholesome and indescribable, with only that one image still clear in my memory, and even that image representative of a sense of awesome bliss and other things utterly unnameable that lie beyond my comprehension or memory.
I think the story begins its long, deep dive into the mystical and symbolic about the time of that first meeting. From that point on, though Louisa does not see the fullness of the Real World, she sees everything in the Light. She does not see all of the Light, or all things fully in the Light, and there are times when the Light is very dim, but nothing can ever be the same again. Eventually, even the Darkness is transformed by the Light.
“Taste and see that the Lord is good.”
Thank you for having me, Mariella!
About the Author
Raina Nightingale has been writing high fantasy since she could read well enough to write stories with the words she knew (the same time that she started devouring any fiction she could touch). She especially loves dragons, storms, mountains, stars, forests, volcanoes, a whole lot of other things, and characters who make you feel whatever they do. When she’s not learning and exploring either her fantasy worlds or this one, she enjoys playing with visual art, among other things. She will always believe kindness is stronger than hatred.
I’ve kept journals for as long as I’ve been able to write! It’s satisfying to put my thoughts into an elegant notebook. By sheer persistence I filled a shelf with notebooks of all sizes and colors. Flipping through the pages, I encounter myself in different stages of my life. These can be difficult times, calm times, creative times.
Since my journals tend to be wordy, it took me a while to get the hang of bullet journaling. It did not seem a good fit, considering the details I’m used to recording. Something changed this year. Perhaps it was the sense that, with the pandemic, it’s been a dull world; this pushed me to try new things.
I wanted to use colorful marker pens; I wanted to draw and use washi tape. Keeping a traditional diary is therapeutic, but the bullet journal gave me a way to learn new skills.
I’m still getting the hang of it; my journal is nothing close to the things you see on Pinterest! I have found some fun ways to use it as a reading journal. As I figure out which methods work for me, I’ll share them with you.
The Bookshelf Drawing
I have to admit that the popular practice of drawing books to represent the real shelf is what attracted me to this form of diary.
I’ve seen really creative shelf sketches with bears, flower pots, and paintings on a shelf. My shelf drawing was much plainer. I still enjoy filling in the colors of book spines when I finish reading them!
If you’re not an artist but want to have a reading tracker, I found this excellent print on Etsy! Isn’t it adorable? It’s full of color and personality; seller britishbookart is very talented!
What is the ratio of genres that I enjoy? Do I read more Mystery than Romance? As a writer, I would find it useful to see which genre I ‘know’ most about—it’d help me find my strengths and craft better stories.
Bullet journaling offers a great way to track habits such as study time, outdoor time, or tracking the glasses of water taken daily. In a like manner, I’ve made a genre tracker.
I keep my genres general—Romance, Mystery, Self-Help. Under Mystery I gather all of the “subgenres” like historical mystery or murder mystery, making the tracker quite simple. According to my BuJo right now, right now I’m I enjoying Mystery and Romance more than Fantasy–but that could always change!
Goodreads is a great place to save your favorite quotes from books, but my eyes are really sensitive to light. Unless I’m writing or blogging, I try to avoid computer screens; my phone light is really low.
For this reason, I prefer to keep my quotes on a page I can read comfortably.
You can make a “quote dump” page to gather these words of wisdom, or record them on the “sidebars” of your daily spreads. I’ve done a bit of both!
I’m crazy about this spread by She Doodles on Instagram; they can be used for words of encouragement, but also to keep track of quotes. It’s minimalist but catches the eye!
For the same reason stated above—my eyes are sensitive to light—I don’t use Goodreads to keep track of books.
Considering all of the eBooks on my Kindle, it’s easy for me to lose track of what I have to read when I can’t see them visually!
I printed out the covers of books I haven’t read yet and glued them into my bullet journal, trying to sort them by genre. I have my section on nature books, mystery/thriller, classics…it’s a bit of work, but when you see the books collected, the work is worthwhile!
Here’s a glimpse into my own journal! You can tell I’m a fan of historical romance!
I don’t post all of my reviews online, but I read quite a bit. I want to record my thoughts on each book so that I can reflect on them later. I reserved several pages in my BuJo with blue “tabs” on the edge. That way, I can easily find my personal book reviews.
It’s nothing special—I note the title, the day I finished reading, and up to three paragraphs of reflections. These are useful, because my reviews help me revisit them!
There are other fun ways to use a BuJo for reading. I’m eager to learn more as I continue this wonderful hobby! If you have any ideas, I would love to hear them!
I often find authors’ lives more fascinating than the novels they write. I’ve written posts about Jane Austen and Louisa May Alcott; in the process, I discovered there was more to these ladies than happy endings.
To make it as a writer all those years ago, you needed resilience and character—especially if you were female. Women so feared the ill repute of being a writer that they used pen names.
L.M. Montgomery, writer of Anne of Green Gables, is a woman whose life was not what I had expected. Her life was marred by tragedy, yet she pressed on with her books.
Here are five facts about L.M. Montgomery.
She Didn’t Like Her Name
An author is often connected to their character in personal ways. InAnne of Green Gables,Anne begs Marilla to call her Cordelia. She does not like her name, which is actually Ann, to which she added the e at the end.
L.M. Montgomery did not like her name, either. It was Lucy, but she always preferred to be called Maud—without the e, ironically. She combined these names in her pen name. In her journal she wrote, “I never liked Lucy as a name. I always liked Maud—spelled not ‘with an e’ if you please.”
Here we have a woman who took a pen name, not because she was afraid of what society would think, but because she didn’t like her name!
Her Family Wasn’t Supportive
One thing that doesn’t change over time is how writing is seldom considered a ‘productive’ career. I am fortunate to have a supportive family for my work, but I have many friends who don’t. L.M. Montgomery didn’t, either.
Montgomery’s family thought so disdainfully of her writing that she resorted to working at night by the flickering light of a candle. She did not let their opinions dissuade her from pursuing her passion, for which we are all grateful.
This passage from Lantern Hill is telling: “I struggled on alone, in secrecy and silence. I never told my ambitions and efforts and failures to any one. Down, deep down, under all discouragement and rebuff, I knew I would ‘arrive’ some day.”
Anne Was Inspired By An Old Journal
Many authors keep journals in which they store ideas. So did Montgomery. She was paging through one of her old notebooks when she came across a note she made a decade before: “Elderly couple apply to orphan asylum for a boy. By mistake a girl is sent them.”
Montgomery breathed life into her old idea. Her intention was to write it as a serial and submit it to a newspaper, but things did not go as she planned, and Anne took on life as a novel.
Her manuscript for Anne of Green Gables was rejected by every publisher she sent it to, so she put it away in a hatbox for a while. In 1908 she gave Anne another chance, and the book was published.
No Stranger To Tragedy
Montgomery was among the hundreds who caught the Spanish Flu in 1918. Though she survived and went on to write novels, she lost her best friend Frederica Campbell MacFarlane to the illness.
The Spanish Flu was one of many dark times she survived. She also lived through the First and Second World Wars. Every writer and artist knows how tragedy affects our stories.
L.M. Montgomery used her writing to cope with the darkness of war. This is evident in Rilla of Ingleside,my personal favorite in the series. We think of Anne’s world as one of comfort and meadows; in this book Anne’s family is torn apart by war.
She Had A Dark End
On April 24, 1942, L.M. Montgomery died in her Toronto home. Her body was laid to rest in her beloved Prince Edward Island, and a wake was had at the Green Gables House. The certificate blamed her death on coronary thrombosis, but that was not the end of the story.
In 2008, Montgomery’s granddaughter revealed a shocking truth. She believed that her grandmother had not died of thrombosis; she had ended her own life with a drug overdose. The beloved author had left a note apologizing to her family for what she was going to do.
The family decided to reveal this in 2008 to open up dialogue about mental health. It’s important to talk about our struggles, because life has no shortage of challenges to throw us. We should never feel alone.
L.M. Montgomery and her character Anne Shirley hold beloved places in our hearts. I did not read her books until last year; her description and storytelling made me believe in magic. If you want to see these stories from a different angle, learn more about the creator of Anne Shirley.
Are you doing Annetober this year? It’s a challenge in which we read the Anne books in the month of October. I did it last year (reviewing each as I finished) and might try again this year.
In my opinion, there is no better time to read about Anne than in the fall, when the leaves make golden carpets on the grass!
Autumn is kicking in—the best time to get reading done! Chilly weather, a cup of tea, and a warm blanket set the mood, making your journey into a story somehow more tangible. As the world outside begins to settle into its slumber, we find in the pages of books a way by which we can live even more.
Do you know what you’re reading this month? My September TBR includes:
Stonehenge: A New Understanding by Mike Parker Pearson
I started reading this in late August. It’s not the sort of thing to speed-read; you’d lose a lot of interesting information! I’ve been interested in Stonehenge since I was very young, but the shows on television—at least at the time—seemed to focus on the ‘spooky’ reputation Stonehenge has, especially around Halloween.
While I love ghost stories, in this case it is more interesting to learn about the archaeological aspect of Stonehenge. With October near, I get the best of both worlds this year!
Dracula by Bram Stoker
I want to make two resolutions: First, to read a classic every month. I keep meaning to read all of the best known classics but keep getting distracted. Second, to reread a favorite every month. Dracula falls into both of those categories. I’ve read it twice and enjoyed both times; this was almost a decade ago, so I’d be going into it now almost as if it were a new book.
C.S. Lewis said, ‘I can’t imagine a man really enjoying a book and reading it only once.’ While it’s true that there are many books to read, I’d like to revisit some favorites and remember why they’re favorites. Dracula is also fitting for the season!
Meadowlands by Elizabeth Jeffrey
I’ve become a big fan of historical fiction. It’s the genre lean to when writing. Though I’ve dabbled a bit in mystery/crime fiction, it doesn’t come naturally. Investigating the fine points of crime is not as fun as researching the past!
Meadowlands by Elizabeth Jeffrey is one of the books I most look forward to. It’s set during the years of WWI and was in a list of books to read if you enjoy Downton Abbey (which I do—I’ve been rewatching the first season and it never gets old!)
In the Market for Murder by T.E. Kinsey
I read A Quiet Life in the Country, the first Lady Hardcastle mystery, last month. The clever characters and witty writing style has me hooked! Combining mystery with historical fiction, it’s perfect–those are the two things I enjoy most in a book!
If you’re looking for a good series to get hooked on, I’m a huge fan of Lady Hardcastle and plan to read all of the books!
What are you reading this month? Do you have any go-to books that set the mood for Halloween? Let me know in the comments!
We are entering September, the beginning of earth’s slumber. Though we might still get some hot days in the weeks to come, soon it will be palpable when the trees shrug off their burdens–something we should learn to do.
A lot of people are melancholy at the thought of autumn, especially if winter is considered lacking in magic or wonder. To appreciate every moment, even in the colder seasons, it might help if we learned how our ancestors approached them.
Autumn and winter do not need to be boring. The right activities enable you to make as many memories as you did in the summer. Some people go out of their way for Halloween parties; others focus on recipes for holiday treats.
However it is that you celebrate the chill, these myths about autumn will provide context as foliage turns golden. Humans tell stories by nature; myths bring wonder to even the most sleepy of times.
Persephone & Autumn
In Greek mythology, the seasons revolved around Demeter, the goddess of the harvest. Her mood determined whether days would be be sunny or chilly. It was not until Demeter suffered great heartbreak that the four seasons began.
Demeter’s daughter Persephone was a lovely child. Flowers would spring up in the earth wherever Persephone walked. As she grew into a beautiful woman, Persephone caught Hades’ attention. Her abduction is one of the most famous Greek myths; a great many stories hinge on this event.
When Demeter was unable to save her daughter from the spell of the Underworld, she fell into a depression. The crops died and plants dried up, causing farmers to go into a panic.
Zeus was forced to strike a deal with Hades that would allow Persephone to leave the Underworld for six months every year; that was when the cycle of four seasons began.
Also known as the hours,the Horae in Greek mythology were goddesses of the four seasons. They were also wardens at the gates of Mount Olympus.
They are mentioned in two groups. The first was associated with Aphrodite and Zeus. The Horae in this group are linked to the classical three seasons of the year: Thallo as the goddess of spring and blooming, Auxo the increaser of plants, and Carpo linked to the harvest.
The second group, associated with Themis and Zeus, focused on law and order. Dike was goddess of moral justice, Eunomia goddess of order and good laws, and Eirene goddess of peace and wealth.
It’s interesting that these virtues are linked with the seasons; good qualities are therefore considered necessary as the change in the weather for the health of society.
Norse Gods of Weather
Though not specifically about autumn, Norse mythology held that there were gods who had power over the weather.
Skadi was the goddess of winter and snow. She brought coldness to the atmosphere. Vikings feared her because a terrible winter would freeze the crops and they might starve. Some scholars believe that Scandinavia was named after her.
Thor was the god of lightning and thunder. He had a pair of goats pulling his chariot; whenever he rode across the sky, the sound of their hooves could be heard below.
Freyr was the god of summer and rain. Vikings believed that, if they made appropriate sacrifices to him, they would be given plentiful harvests and good weather.
This time of the year is great for storytelling. We can enjoy traditions that come with Halloween–like our favorite ghost stories. There also scary novels, poems, and even recipes to learn.
As I learn more stories associated with autumn, I’ll share them here. Do you have a favorite ghost story? A tradition you would like to pass on? Feel free to leave a comment!
When Mona Lisa vanished from the Louvre Museum in 1911, she became a worldwide obsession. In reality, it is just another instance of art theft. This remains a common crime, though it has never again shaken the world like it did with Leonardo’s masterpiece.
Every year, more than 50,000 art pieces are stolen around the world. The annual black market value for art theft stands between 6 and 8 billion.
After months of frantic search, the world lost hope that she would be found. Bigger tragedies took place: the ‘unsinkable’ Titanic went down on her maiden voyage, giving reporters something new to focus on.
Fifteen months after her disappearance, France formally abandoned hope of La Gioconda returning. The case was closed, and life in Paris resumed its fast pace.
Letter From ‘Leonardo’
It was Winter in the year 1913. Florence art dealer Alfredo Geri was anticipating a busy Christmas season. He had placed an ad in many Italian newspapers, offering to pay generously for fine artwork.
Responses poured in; Geri looked over them every morning, sorting out replies that sounded promising. One of them stood out from the others.
It was postmarked Poste Restante, Place de la République, Paris. It was signed “Leonardo.” Geri first suspected it to be a prank, but followed his gut and read on:
The stolen work of Leonardo da Vinci is in my possession. It seems to belong to Italy since its painter was Italian. My dream is to give back this masterpiece to the land from which he came and to the country that inspired it.
Geri took the letter to Giovanni Poggi, director of the local Uffizi Gallery. Poggi was skeptical of the letter, thinking it would be at best a well-done copy; nonetheless, he told Geri there was no loss in writing back. They told the thief that they would have to see the painting before they made an offer.
“Leonardo” wrote back quickly. He invited Geri to visit him. Poggi agreed that, when the day was set, he would go with the art dealer to examine the piece and determine whether it was a fake.
On December 10, Geri’s shop had a great deal of customers. One of them stood out from the others; he lurked in the shadows, waiting until everyone else had gone before approaching the art dealer. He introduced himself as the Leonardo from the letters and said that he had brought Mona Lisa home to Florence.
Geri and Poggi followed ‘Leonardo’ to the hotel where he was staying. It was the Albergio Tripoli-Italia, located blocks away from the house where Lisa del Giocondo had posed for the real Leonardo da Vinci in the portrait.
As they walked, Geri mentioned the payment. ‘Leonardo’ admitted that he expected the Italian government to compensate him “for the great service rendered.” He said he hadn’t taken the painting to make money. He had intended to return it to the land from which it had been stolen.
An amount was proposed. Geri would agree to pay only if Poggi could confirm the painting’s legitimacy.
They went upstairs into the room where ‘Leonardo’ had been staying. He opened his medium-sized suitcase, emptied it of its meager contents, and opened a false bottom. Inside waited Mona Lisa, wrapped in silk and marvelously preserved. Poggi studied the painting and confirmed that this was Louvre property.
Geri and Poggi contained their excitement in front of the thief. They fled the hotel with the painting and called the police. ‘Leonardo’ was napping when Florence officers came to take him.
He did not struggle, convinced that the government would recognize him as a hero.
Knight In Shining Armor
‘Leonardo’ cooperated with the police. He identified himself as thirty-two year old Vincenzo Peruggia. He lived in Paris, where he worked painting houses. He had worked at the Louvre as a glazier for two years.
Peruggia described himself as a patriot. He had stolen the Mona Lisa to avenge all the art pieces that had been taken from Italy by Napoleon during his painting plunder. Peruggia did not seem to know that, while Napoleon did steal many pieces of art, Mona Lisa was not one of them. She had been in France delighting kings and aristocrats long before Napoleon was born.
It was arranged that Mona Lisa would be given to the French ambassador. France allowed her to stay in Italy for two weeks. During this visit, thousands of Italians came on pilgrimage to see Leonardo’s most famous painting. Peruggia’s prediction that he would be a hero wasn’t far off: many Italians believed that he had done a great service to their country.
Vincenzo Peruggia was on the list of Louvre workers that French police had investigated when Mona Lisa vanished. How come he was not a suspect from the beginning?
Peruggia had been summoned at the beginning for questioning but never appeared. A detective went to his apartment, searched it, and asked questions. Peruggia said he had been at work the morning when Mona Lisa vanished; if they had checked his alibi, they would learn that he arrived several hours late.
What about fingerprinting? There had been a flaw in Alphonse Bertillon’s profiling. He only classified his criminal records with right thumbprints, and the print on Mona Lisa’s frame had been a left thumbprint. Peruggia was therefore never linked to it.
Peruggia was not brought to trial until June 4, 1914. France did not press for harsh treatment; Italy was not keen to punish the man who had brought Mona Lisa for a brief visit home. He managed to rouse the sympathy of his compatriots, which must have had an influence on his absurdly short prison sentence.
He was given a sentence of one year and fifteen days. On July 19, it was reduced to seven months and nine days. When this brief punishment ended, he went on to start a paint shop.
I have tried to cover the disappearance of Mona Lisa and do justice to the story over the month of August. It’s impossible to give all of the details in a series of little blog posts. If you want to know more about this insane event in history, I encourage you to read Vanished Smile by R.A. Scotti.
Everything about Mona Lisa has a story behind it. I will continue to read about her because few paintings have had such long, unique histories. I am wrapping up my August Mona Lisa Month with this post, but I am not done getting to know the Queen of the Louvre.
I hope my articles have been helpful to you; they were great fun to write!
Little Women by Louisa May Alcott is one of those books that every child knows. The antics of Meg, Jo, Beth and Amy stay with us long after we reach adulthood. It reminds us that a good life has its hardships, even in fiction. The resilience of the March sisters gives us hope that we can survive our trials.
This book has been made into movies and continues to inspire readers. Its characters live on as readers pass it down to their children. What do we know about the author, though?
Alcott was a unique woman for her time. A defender of women’s rights and fiercely independent, her life can inspire us as much as her book has done. Here are five amazing facts about Louisa May Alcott.
Mr. Condit was a prosperous manufacturer of silk hats. He proposed to Louisa in 1860. Her family was in a hard place financially, making it difficult to refuse, but she did not love him.
What was more, she feared that her career as a writer would vanish if she took a husband. In the end, she chose her writing over a loveless union.
2- She Was A Civil War Nurse
In 1861, the Civil War hit. Alcott was not the sort of woman to be idle in dire times. First, she volunteered to sew uniforms for the soldiers. Itching to become more involved, she became a nurse, going straight into the chaos.
Alcott saw horrible things while tending to wounded soldiers. In a Washington D.C. tent-hospital, she comforted wounded men as they died. These events left profound scars from which she found solace in writing.
Alcott recorded her experiences in journals and letters to family. She published Hospital Sketches in 1863. It is a fictionalized account based on her letters. The book became massively popular and was reprinted with more material.
3- She Didn’t Want To Write Little Women
Alcott wrote her most famous book, Little Women, after much resistance.
Her father was asked by an editor at a publishing house if she would write a novel for little girls. Louisa was not keen on the idea of writing for children. She refused and a year passed.
When her father was trying to publish his own book on philosophy, the editor once more requested a book for little girls. He would publish the philosophy book if Louisa agreed.
Giving in, she used her childhood with her sisters as a topic for the book. The first part of Little Women was published in 1868. It became a huge success—perhaps to her chagrin–and she went on to write the sequels, Jo’s Boys and Little Men.
4- She Adopted Her Niece
Alcott never had children, but was able to experience motherhood at the age of forty-seven. In 1879, her sister May died after giving birth to a daughter. On her deathbed, May told her husband that she wanted the child to go to Louisa.
He honored his wife’s last wish and trusted the baby to Alcott. She was named Louisa after her aunt and nicknamed LuLu. Alcott raised the girl during the final years of her own life.
Alcott died of a stroke when LuLu was 8 years old, and LuLu was sent back to Switzerland with her father. Though they were together for a short time, Lulu carried fond memories of her aunt Louisa.
5- She Was A Suffragette
Alcott advocated for women’s rights when the movement was in its infancy. She wrote for a women’s periodical in the 1870s and went door-to-door, encouraging women in Massachusetts to vote.
In 1869, the state passed a law that would allow women to vote on any issue involving education and children. Alcott registered and became the first woman in Concord to vote.
She and nineteen other women voted that year, initiating a great change. Alcott was passionate about making sure that women’s voices were heard. The Nineteenth Amendment was cast in 1890—decades after Alcott’s death.
Louisa May Alcott was a devoted writer. Though she is best known for Little Women, her collection of complete works is staggering. More attention should be given to this impressive and fearless woman.
Behind every great story is a greater story; in the case of Little Women, it is the writer’s life. She valued her independence, worked to support her family, and fought for the woman’s vote.
We miss out on a great deal when we don’t look at an author’s background. Timeless stories don’t come out of the blue; there is always a fascinating chain of events forming the foundation of a classic.
When I started research on magic in mythology, I did not realize the phrase would be so broad. Magic can explain many events in myths all over the world. We need to be more specific when learning about magic.
Are we thinking about women in the forest who collect healing herbs? Are we perhaps referring to revelations we found in tea leaves?
I changed my phrasing to witches in mythology. This is still a vague term, but most mythologies separate gods from witches. Greek mythology was the haziest for this article; however, I found these examples too intriguing to leave out.
Each culture has a different definition of witch. Some witches are dark and frightening figures; others are revered by their people. Collecting five stories for this post has been a welcome challenge.
Hecate, Goddess of Witchcraft
Hecate is one of the most controversial figures of Greek mythology. Because worship of her predates the writings we use for reference–for example, Homer–her origin is disputed. Nonetheless, she remains in their tales as a goddess of witchcraft.
She was also the goddess of boundaries—which in the physical world could mean entrances, borders, and crossroads. Spiritually, she stood at the boundary between life and death. Having this power, Hecate could cross into the Underworld and walk it freely.
When Persephone was taken by Hades, Hecate aided Demeter in the search for her daughter. Since Persephone had eaten the pomegranate seeds, she could not escape the Underworld forever.
Unable to release her from the spell of the pomegranate seeds, Hecate became Persephone’s guide to the Underworld whenever she returned to Hades.
Another figure of Greek mythology, Circe was a minor goddess. Some stories call her the daughter of Hecate and Aeetes, a king in Greek mythology. She is well known for her knowledge of potions and herbs.
She is mentioned in Homer’s Odyssey when Odysseus visits her island, Aeaea, on the way back from the Trojan war. Circe turns most of Odysseus’ crew into swine. Her ability to change people into animals surfaces again in the fate of Picus. He was an Italian king whom she turned into a woodpecker for resisting her advances.
She becomes enemies with the nymph Scylla, whom I wrote about here. When the sea-god Glaucus preferred Scylla to her, she poisoned the water where Scylla lived, turning the beautiful nymph into a sea monster.
The Morrigan is not a witch in the traditional sense. Her ability to shapeshift into a crow is an attribute of witchcraft, and I thought she would fit in this list. She is one of the most famous figures of Irish mythology, linked with war, life and death.
She is one of three war goddesses featured in Irish mythology; the other two are Macha and Neman. The Morrigan is described as being able to predict the names of those who will die in battle. She would use this knowledge to influence wars.
The Morrigan would do this by flying over a battle in the form of a crow. Seeing this crow would strike such fear into soldiers that they would die of fright or fight for their lives.
Völva the Viking Witch
In Norse folklore, the Völva is what we would call a Seeress. The magic they practiced was known as Seidr, a word which literally means “to bind.” Men could also practice Seidr, but it was less common.
The Völva would have been the spiritual leader and healer in a Nordic society. She wore colorful dresses and carried a beautiful staff to help her carry out Seidr.
One of the Völva’s most important roles was communication with the deceased. She would perform rituals in which she would sing songs to attract spirits. The Völva would sit in a very high chair while singing. She might also be lifted into the air, allowing her to see into another realm.
Japanese Animal Familiars
In Japan, some people were believed to keep spirit animals as familiars. If you had an animal familiar, you were considered a witch. This was usually a family affair, and such families were called tsukimono-zukai.
Animal familiars could bring a family wealth and power, but there was a downside. Having an animal familiar made neighbors superstitious. It was difficult to keep friends, and if you were a woman, marriage was nearly impossible.
If a family wanted to be rid of the tsukimono, this could be attempted through exorcism by a Shinto priest. These rituals did not always work. To learn more about the fascinating myth of tsukimono, read this excellent article.
I am eager to do more research on witchcraft and ‘spooky’ myths as Halloween nears. It’s my favorite time of the year–not only does the weather turn crisp and lovely, but the air is full of mystery!