Anyone I’ve spoken to in the past month knows about my mysterious rewrite. Back in July, I began work on a new, fresh version of a novel you may have read (hint hint: it’s called Dissonance) but, being me, I did not outline at all.
In my experience, letting a novel loose to do whatever it wants is a guarantee that it will look nothing like the original.
Now I am baffled at the parallel: it is a rewrite of Dissonance, but has little in common with Dissonance at all. The characters have different roles, names and backstories. Reflecting on it, I’m not sure what the rewrite has in common with Dissonance.
Perhaps it’s different enough that I can try something that has been nagging me all year – traditional publishing. However, I don’t know when that would be, since The Autumn Prince is still first in line for querying. It could be years: I still have to edit Mysterious Rewrite, and chances are I’ll get impatient and start working on the next books of the series.
I’m surprised as you are with this development. Don’t ask me why I wanted to rewrite so badly – perhaps I knew that certain elements in the Dissonance plot could be focused on and improved. Perhaps I wanted to delve into characters that didn’t get much attention the first time.
Don’t worry about the original series – I still have a Book Three draft somewhere on my computer, and it’s so different from Mysterious Rewrite that I don’t have to abandon it, like I had feared initially.
For now, I’m just going to celebrate that I’ve completed a draft longer than 60,000 words. I’m basking in the job well done and sipping lots of orange juice. I’ll figure out what to do with all my manuscripts later.
Check back for updates when I eventually figure out my path.